Visual Pond Artspace, Inc. is a non-profit organization committed to the visual arts. Based in Manila, Visual Pond aims to be a dynamic player in the Philippine contemporary art scene through projects that engage and promote local artists both here and abroad.

We at Visual Pond envision a contemporary art scene that is vibrant, open to experimentation and supported by the community. By taking initiatives and creating opportunities for Filipino artists, we work towards this realization for the visual arts locale.

Asides from Manila-based projects, we are also interested in regional and international exchanges on ideas, concepts and possible collaborations with definite end products.

Email: visualpond@gmail.com

Thursday, December 8, 2011

Kiri Dalena and Clarissa Chikiamco on Illuminati television show

From left to right: Kiri Dalena, Clarissa Chikiamco, Trix Syjuco and Krip Yuson

Thanks to Trix Syjuco and Krip Yuson for having artist Kiri Dalena and curator Clarissa Chikiamco on their television show, Illuminati, last December 6 at 7:10 pm, on channel GNN. They talked about their exhibition Time and Place of Incident. Catch it today and until tomorrow, December 10, Saturday, at University of the Philippines' Vargas Museum, from 9 am to 5 pm.

Monday, November 28, 2011

TIME AND PLACE OF INCIDENT artist talk on 1 Dec, Thurs, 230-430 pm

END FRAME VIDEO ART PROJECT 3
TIME AND PLACE OF INCIDENT
solo exhibition of Kiri Dalena
ongoing at the basement of Vargas Museum until 10 December 2011
Artist talk 1 December 2011, Thursday, 2.30-4.30 pm
 
Please join us on 1 December 2011, Thursday, 2.30-4.30 pm, for the artist talk of TIME AND PLACE OF INCIDENT, the solo exhibition of Kiri Dalena at the Basement of Vargas Museum. The talk will include a presentation by Dalena in discussion with the curator, Clarissa Chikiamco, and Rowena Paraan, Secretary-General of the show's co-presentor, the National Union of Journalists of the Philippines

TIME AND PLACE OF INCIDENT concentrates on the killings of media journalists in the Philippines, with the country being considered as one of the world’s most dangerous places for journalists. Dalena’s show involves documentation footage taken by her and volunteers at the grave sites of these journalists as well as shots showing selected places of their assassination.The exhibition runs until 10 December 2011 at Vargas Museum, Roxas Avenue, University of the Philippines-Diliman, Quezon City, open Tuesday to Saturday, 9 am to 5 pm (closed 30 November). There is a short waiting period to view the show. For directions to Vargas Museum, click here: http://vargasmuseum.wordpress.com/visiting-the-museum/where-we-are/

Dalena’s exhibition is also the fourth offering of End Frame Video Art Project 3, a project of the non-profit organization Visual Pond. Throughout the Philippine video art festival, artists stage a solo show presenting new video work in various venues from 2011 to 2012. For more information, visit http://www.visualpond.org and for further inquiries, email visualpond@gmail.com or call +63.917.5357955.

The talk is sponsored by the GeiserMaclang marketing communication company with refreshments from Coffee Bean & Tea Leaf. The show is made possible by Visual Pond and Vargas Museum and the exhibition’s co-presenters: the National Union of Journalists of the Philippines, the University of the Philippines’ College of Mass Communications and Department of Art Studies, the Ateneo Art Gallery, GeiserMaclang and the individuals Carlo Gabuco and Gym Lumbera.

Monday, November 14, 2011

End Frame 3 and Vargas Museum present Time and Place of Incident, a solo exhibition by Kiri Dalena

End Frame Video Art Project 3, the 2011-2012 Philippine Video Art Festival, 
with  Vargas Museum Presents
TIME AND PLACE OF INCIDENT
a solo exhibition by Kiri Dalena
Opening on 18 November 2011, Friday, 4 pm.
Artist talk on 1 December 2011, Thursday, 2.30 pm. Exhibition runs until 10 December 2011.




Visual Pond’s End Frame Video Art Project 3: Present, the 2011-2012 Philippine video art festival, together with Vargas Museum, presents Kiri Dalena’s solo exhibition, Time and Place of Incident. The show opens at the basement of Vargas Museum on 18 November 2011, Friday, at 4 pm and runs until 10 December. An artist talk will be held at 2:30 pm on 1 December, Thursday.
Time and Place of Incident concentrates on the killings of media journalists in the Philippines, with the country being considered as the world’s most dangerous place for journalists after Iraq and Somalia. Dalena’s show involves documentation footage taken by her and volunteers at the grave sites of these journalists as well as shots showing selected places of their assassination. Believing video to be a powerful medium in conveying loss and injustice, the exhibition features Dalena’s stills and videos beaming through multiple projections in the given venue of the museum.
A winner of the Ateneo Art Awards in 2009, Dalena works as an artist and documentary filmmaker. She has made a number of politically charged exhibitions and documentaries. Majority of her sculptures and installations address acts of state violence and injustice that continue to plague the Philippines despite several regime changes. She studied B.S. Human Ecology at the University of the Philippines Los Baños and learned filmmaking at the Mowelfund Film Institute. She had her first solo exhibition in 2007 at Mag:net while this Vargas Museum exhibition forms her fifth.
Dalena’s Time and Place of Incident is also the fourth offering of End Frame Video Art Project 3, a project of the non-profit organization Visual Pond. Throughout the Philippine video art festival, artists stage a solo show presenting new video work in various venues from 2011 to 2012. Curated by Clarissa Chikiamco, the theme of the third edition, Present, refers to the current project’s focus on the video art practices of selected Philippine contemporary artists. Dalena’s exhibition follows the End Frame 3 shows of Tad Ermitaño, Manny Montelibano and Chitz Ramirez. End Frame 3 continues to 2012 with exhibitions of Kaloy Olavides, Maria Taniguchi and Yason Banal.
Time and Place of Incident is made possible by the exhibition’s co-presenters: the National Union of Journalists of the Philippines, the University of the Philippines’ College of Mass Communications and Department of Art Studies, the Geiser-Maclang marketing company, the Ateneo Art Gallery and the individuals Carlo Gabuco and Gym Lumbera.
The show will be viewable throughout its run between Tuesday-Saturday, 9 am to 5 pm, (closed 30 November) with appointments of at least 10 minutes in advance highly recommended. The appointment may be set by calling Vargas Museum with telephone number (632) 9281927 or email a day in advance to vargasmuseum@gmail.com. Those without an appointment may view the show after a short waiting period. Vargas Museum is located on Roxas Avenue at the University of the Philippines, Diliman, Quezon City, http://www.vargasmuseum.wordpress.org. There will also be a satellite exhibition, Requiem, at the lobby of Plaridel Hall at the UP College of Mass Communications, Ylanan Road, Diliman, Quezon City, from 17 - 29 November 2011. For inquiries on Visual Pond projects and End Frame 3, visit http://www.visualpond.org or call Rica Estrada at +63917-8170198 or email visualpond@gmail.com.

Friday, October 21, 2011

WANTED: TUBERO artist talk tomorrow

END FRAME VIDEO ART PROJECT 3
WANTED: TUBERO
solo exhibition of Claro "Chitz" Ramirez
ongoing at Finale Art File until 27 October 2011
Artist talks with Mark Justiniani for Phantom Limb, Saturday, 22 October, 3-5 PM



Please join us on 22 October 2011, Saturday, at 3-5 pm for two artist talks, Mark Justiniani for his exhibition, PHANTOM LIMB (3-4 PM), and Claro "Chitz" Ramirez (for his show WANTED: TUBERO (4-5 PM), both exhibitions ongoing at Finale Art File. These two shows interact through the connection of pipes between their works within the same venue.  WANTED: TUBERO is a project under End Frame Video Art Project 3: Present, a series of solo exhibitions of artists presenting new video work from 2011 to 2012. Ramirez's artist talk will be followed by a brief presentation on End Frame 3 by its curator, Clarissa Chikiamco.

Finale Art File, located at Warehouse 17, La Fuerza Compound, 2241 Don Chino Roces Avenue, Makati Metro Manila, is open Monday to Saturday from 10:00 am to 7:00 pm. Both exhibitions run till 27 October 2011.

Friday, September 30, 2011

End Frame 3 and Finale Art File present WANTED: TUBERO, a solo exhibition by Claro Ramirez

END FRAME VIDEO ART PROJECT 3, the 2011-2012 Philippine Video Art Festival, 
with Finale Art File presents 
WANTED: TUBERO
a solo exhibition by Claro Ramirez
Opening on 6 October 2011, Thursday, 6 pm.
Artist talk on 22 October, Saturday, 4 pm. Exhibition runs until 27 October.



A prequel to Claro Ramirez’s offering for the upcoming 2011 Jakarta Biennale, Wanted: Tubero features an initially minimal installation of television monitors connected with PVC pipes. During the exhibition opening and throughout the show’s run, visitors will be invited to adjoin to the installation through available pipes which may be connected to the existing work. Wanted: Tubero, particularly within the arts, emphasizes the importance of engagement, participation and community. Ideas that are reflected as well in the monitors' content, the televisions play videos of other artists’ work as well as Ramirez’s own. The process of audience involvement in the installation will also be documented to eventually become a part of the evolving work.
Wanted: Tubero is the 10th solo exhibition of Claro “Chitz” Ramirez, who practices both as an artist and curator. A recipient of the Thirteen Artists Award in 2000, Ramirez’s works are often site-specific installations, attached to the exhibition space, context and audience. With the latter, he gives particular value to reception, connection and interactivity. Having studied Commercial Arts in the University of Santo Tomas and Fine Arts in the University of the Philippines, Ramirez held his first solo show in 1996 and has been exhibiting his video installations since 2002. From 2005, he has also been acting as consultant for Lopez Memorial Museum in artistic direction and in multimedia exhibitions.
Ramirez’s Wanted: Tubero is the third offering of End Frame Video Art Project 3, a project of the non-profit organization Visual Pond. Throughout the Philippine video art festival, artists stage a solo show presenting new video work in various venues from 2011 to 2012. Curated by Clarissa Chikiamco, the theme of the third edition, Present, refers to the current project’s focus on the video art practices of selected Philippine contemporary artists. Ramirez’s exhibition follows the End Frame 3 shows of Tad Ermitaño and Manny Montelibano and will be followed by the exhibitions of Kiri Dalena, Yason Banal, Kaloy Olavides and Maria Taniguchi.
The show opens at the Video Room of Finale Art File on 6 October 2011, Thursday, at 6 pm. An artist talk will be held at 4 pm on 22 October, Saturday, and the exhibition runs until 27 October 2011. Finale Art File gallery hours are Monday to Saturday, 10 am to 7 pm. Finale is located at Warehouse 17, La Fuerza Compound, 2241 Don Chino Roces Avenue, Makati Metro Manila with telephone number (632) 813-2310, 812-5034.  For more on Visual Pond projects and End Frame 3, visit http://www.visualpond.org or call Rica Estrada at +63917-8170198 or email visualpond@gmail.com.

Saturday, September 17, 2011

Sorry for the Inconvenience: Photo Documentation



Visual Pond’s End Frame Video Art Project 3: Present, together with Gallery NOVA, presented Manny Montelibano’s Sorry for the Inconvenience, the second exhibition under the 2011-2012 Philippine video art festival. The solo exhibition of Montelibano ran at Gallery NOVA from 13 August to 9 September 2011 with an artist talk held on 16 August.

Examining the idea of aggravating disturbances amidst the thrust for the public good, Sorry for the Inconvenience stages an audio-visual affront on the rhetoric of the politically powerful. In a gathering, manipulation and collision of declamations, the exhibition suggests of the all-consuming nature of dominance, which comes at both the impact and expense of others. 



Montelibano’s Sorry for the Inconvenience follows the first End Frame 3 show of Tad Ermitaño last January. Curated by Clarissa Chikiamco, the theme of the third edition, "Present," refers to the current project’s focus on selected Philippine contemporary artists’ practices in video art. Throughout the festival, each artist stages a show presenting new video work in various venues from 2011 to 2012. Other artists presenting for End Frame 3 include Claro Ramirez, Kiri Dalena, Yason Banal, Kaloy Olavides and Maria Taniguchi.







Friday, August 26, 2011

Sorry for the Inconvenience: New Screening Hours


END FRAME VIDEO ART PROJECT 3: PRESENT
SORRY FOR THE INCONVENIENCE 
solo exhibition of Manny Montelibano
new screening hours
Tuesday - Saturday, 1-6 pm, until 9 September 2011 
Or by appointment. Contact Astrid at +63922-8006925.
Gallery NOVA, Warehouse 12A, La Fuerza Compound, 2241 Don Chino Roces Avenue, Makati Metro Manila


SORRY FOR THE INCONVENIENCE is a project under End Frame Video Art Project 3: Present, a series of solo exhibitions of artists presenting new video work from 2011 to 2012.

For inquiries on Visual Pond projects and End Frame 3, call Rica Estrada at +63917-8170198 or email visualpond@gmail.com with 'End Frame 3' as the subject line.